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Super Autumn Clothing Style

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  • Super Autumn Clothing Style

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    STEVE MCQUEEN: We attempt to show in the fi m, rather than to exp ain it, just to show why a man races. The fee ings that he gets from it. It’s a great sense of freedom. It’s a high of one sort or another. MAN: To drive a car in perfect condition to the imit was the most gratifying thing you ever did. It’s a most ike a ba et, with the car going in through the corners. And it’s a thing of beauty. It is a work of art. I went ki ometers per hour. The faster I went, the more re ax I was. But when it’s finished, you have the time to think, and then you’re g ad that nothing happen more. MAN: It overtakes drivers, without them knowing it. The freedom of an eag e f oating in the sky was something that racing brought to him. Whatever that other stuff was that came from his upbringing, he cou d set that aside. Death is so c ose. It’s right on my shou der. And yet, there’s a peace here. And he actua y found such joy in that, that he want to give that to peop e. I’ve a ways want to shoot a motor racing picture, because it’s a ways been something c ose to my heart. I sometimes thought, we , maybe I shou dn’t do it. When something is c ose to you, you have a tendency to become too much a perfectionist with it. And I don’t think there’s any race driver that can rea y te you why he races. But I think he cou d probab y show you. [Cars racing] MAN: He was not Hercu es. He was Icarus. Steve want to f y so high, and he didn’t quite understand the point where the wax starts to eave your wings. PRODUCER: Through the set, through the set. And cars are ro ing. [Crashing] MAN: I was ro ing. They had to pay the drivers. They had to pay the camera men. They had to pay the sound men. They had to pay the peop e that f them at unch. [Tires screeching] And the peop e in the cinema center were checking in. How are things going over there? We , not so good. We ain’t got no story. We were approximate y $. mi ion over budget. And the studio was expecting a Steve McQueen movie to bai us out, and we didn’t have it. We were going to make the most expensive documentary in the wor d,

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